Wednesday, March 7, 2012

Game Review: Zombie Dice

As gory as this game gets!
Zombie Dice is a nicely themed "press your luck" game where you play a zombie trying to eat thirteen brains before any of the other zombie players do.

Each turn the player takes three random dice out of the cup (the potential victims) and rolls them. Rolling a brain means the player gets to keep that particular die and eat their brains. Rolling a shotgun blast has to be kept as well because the zombie took some damage. Rolling footsteps means the victim escapes. If the player now has three shotgun blasts, he is killed for that round and scores nothing. If not, the player can choose to stop and score one point for each brain rolled. This should be tracked on paper because you can't rely on a zombie's memory. If the player decides to keep rolling, he puts any footsteps back in his hand and he has to draw more dice from the cup until he has three to roll. Then he goes through the whole process again.

After the player stops or is stopped, the next player plays, and so on until each player has a turn. Once a player has a total of thirteen brains, the rest of the players finish the round and try to equal or surpass him. Ties go on to a tie-breaker round.

Game components with additions.
Not all the thirteen dice are equal, just as all potential victims are not equal. Green dice are the easiest to win with since they have more brains. Yellow dice are medium difficult. Red dice have only one brain symbol and lots of shotguns, so they are the toughest to win. Paradoxically, the victims with more brains are more likely to be eaten, though the critical brain in this game is the player's brain. Knowing when to stop and collect points depends on luck, what dice are still in the cup, and how the other zombie players are faring. Some thinking goes into playing but the game ultimately comes down to luck.

The game is a fun way to kill some time. It goes quickly (unless everyone feels exceptionally lucky and really isn't). The rules are easy to learn and play is simplicity itself. For parents, the goriest thing in the game is the box it comes in, which isn't too bad by most standards. The only thing we did add to the game was a golf pencil and a small pad of sticky notes for scoring. They easily fit inside the box and guarantee that if you take the game on the road, you'll still be able to keep score.

I bought this at my favorite comic book store, where they charged $13.13 for the game. How awesome is that! Support your local game shop because where are you going to get fun things to do when civilization collapses after the zombie apocalypse?



Tuesday, March 6, 2012

Book Review: Hellboy: Masks and Monsters

Hellboy: Masks and Monsters
by Mike Mignola et al.

One of the popular things to boost sales in the comics industry is to make a team of individually popular characters (like The Avengers or the various Justice Leagues) or have characters' worlds cross. Since Hellboy is in a universe of his own, this work is definitely the later. Actually, this volume contains two separate team-ups: Batman/Hellboy/Starman and Ghost/Hellboy.

The first story follows Batman as he investigates the kidnapping of Ted Knight, the original Starman (who's a hero with a cosmic rod that let's him fly and manipulate energy). Neo-Nazis use electrical bolts to fight off Batman during the kidnapping. Queue Hellboy's entrance, since (a) the neo-Nazis are regular Nazis from South America called the Knights of October and (b) they use a blend of magic and technology to make the bolts. An uneasy alliance is formed since Hellboy has the magical and Nazi-fighting background to help Batman. Knight's son is the new Starman and he signs on to help find his dad. Pretty soon it's off to South America to stop Nazis and elder gods from rising up to take over the world. The story is a pretty standard Hellboy yarn and a good read.

The second story follows Hellboy to Arcadia where he and a BPRD agent want to recruit Ghost, a revengeful female spirit who goes around shooting living bad guys with guns (not sure how the phantom guns kill living people, but just go with it). They discover an old mystery that leads to an alternate dimension, where Ghost is offered peace if she betrays Hellboy. This story is not as interesting as the first though the art is very good. This is more like a standard supernatural horror comic. Hellboy is charming as always and the final battle is fun.

For parents, the book does contain some mild occult content (Hellboy uses an occult prayer full of nonsense words in fighting the elder god, for example). The violence is in the first story is fairly normal comic book fare; in the second story it's much more graphic (lots of blood). Also, Ghost's outfit is very revealing up top.

Here's a sample page in case you've never seen Mignola's style (use of black, cool background images, humor). Sorry about the blurry edge on the left, the scanner didn't handle the binding well. I suppose I could have cut the page out of the book, but I didn't.

Click to see full size

Monday, March 5, 2012

Dress Up at Craven Museum, Skipton

On our recent visit to Skipton, we payed an all too brief visit to the Craven Museum & Gallery. Plenty of exhibits show what life was like through the centuries in Skipton and the surrounding area. The highlight (which we missed) is the Shakespeare First Folio, printed less than ten years after Shakespeare's death in 1618. We will definitely go back to see more of the museum when we have more time. The interactive exhibits occupied the children's attention for the ten or fifteen minutes we had to wander around.

Lucy's favorite interactive exhibit was the period costumes dress up area. What did it look like? Here you go:

Little Red Riding Cloak

Not big enough to be the lady of the manor yet

Not sure what to think of this outfit, what does it need?

A bonnet!

Sunday, March 4, 2012

New James Bond Title Explained?

This may explain the strange title of the new Bond film currently in production. The title is Skyfall and this video shows a potential threat 007 faces:



How many malls have a stand selling these little helicopters? Clearly some evil genius has been staging them across the world waiting for the moment to be right, like George Lucas waiting until there were enough 3D-equipped theaters before re-re-re-re-releasing Star Wars* to us. If the Bond villain is that cunning, will 007 stand a chance?


*Yes, I'm so tired of Star Wars monetizing that I refuse to provide a hyperlink. 

Saturday, March 3, 2012

Book Review: Psalms for All Seasons

Psalms for All Seasons by John F. Craghan

John F. Craghan has written Psalms for All Seasons to help the reader pray the Psalms in our current, high-tech age. The world of computers and jet planes and television seems so far removed from the time the Psalms were written. How can modern people relate to the content of the Psalms and the thoughts, aspirations, frustrations, and elations found in writings dating over 2000 years ago? Being a scholar, Craghan develops a methodical approach.

The book is organized according to a pattern of human life described as "orientation, disorientation, and re-orientation or new orientation" [p. 5] following the method of Psalms scholar Walter Brueggemann. Often we find our lives to be placid and predictable; harmony rules for the most part. This is what Craghan calls "orientation." Often this comfortable place is lost, either through a sudden shock/trauma or through a slow but inevitable slide into chaos. This state is "disorientation." The person (hopefully) is able to let go of the past and allow new solutions or understandings to "reorient" their life. Eventually this reorientation becomes natural, the new normal, and becomes "orientation." The cycle begins again.

Craghan organizes the psalms this way. Under "orientation," he puts "psalms of descriptive praise (chapter 2), psalms of trust or confidence (chapter 3), wisdom psalms (chapter 4), and certain royal psalms (chapter 5)." [p. 5]  Disorientation psalms are the laments and fall into the sixth chapter. Reorientation psalms are characterized by thanksgiving or declarative praise and also have a chapter devoted to them. All of these chapters look at the psalms from a personal or individual perspective and from a communal perspective. This overall approach does not neatly divide up the psalms but rather provides a helpful approach and an aid in praying the psalms.

His chapters follow a typical pattern. First, the type of psalm is described. Various psalms in that category are presented in full with commentary. The commentary points out the historical context of the psalm, provides a line by line analysis, and finally an application to contemporary prayer life. At the end of the chapter are one or two readings from the New Testament related to the type of psalms with the same commentary and application.

While this system of presentation has the trappings of a scholarly and spiritually rewarding reflection on the book of the Psalms, it too often falls into obvious minor errors. He claims at one point that Psalm 104: 27-35 is a "prayer for rain," which is clearly false from reading the text.

More troubling is dubious theology that permeates the commentaries. Consider this description from the set up for the Wisdom Psalms:
With our great preoccupation with heaven we have been instructed to be dropouts from life. Living thus becomes the condition for the hereafter where accounts will be settled and "genuine" living will begin. We have been taught to put up with life, to make deals with life, so that we may get on with the real business of preparing for our eternal bliss. The heaven symbol has often cheated us out of the possibility of living and thereby out of the opportunity to acknowledge the Living One as the giver of gifts. With an overemphasis on the beatific vision we can no longer see beatific humans and their gifts. [p. 55]
The author condemns the dour piety that consists only of prayer and withdrawal from the world that does not help to attain eternal bliss. Surely we do need to be active in the world, to interact with other people and support each other materially and spiritually in our individual journeys through life. Living in a Christian way is being in this world but not of it. Craghan creates a false dichotomy between this life and the next. He should show the line that connects living well in this world to living well in the next. How we live this life foreshadows and prepares us for living well in the next. Instead, he gives us the dubious beatification of our fellow travelers. When we see God in others, I think that means we see them as persons with dignity and value granted by God, giver of gifts that are beatifying. Not that they are in any way equivalent to God in splendor and majesty.

Craghan's Christology is at best confused. Commenting on Psalm 22 ("My God, My God, why have you abandoned me?") and Mark's gospel account of Jesus's death, he has this to say:
Disorientation is all too evident in Jesus' experience of pain and frustration. The cry of dereliction is the prayer of lament that the Father now make Jesus' problem his problem. On the other hand, the reality of the cross is that Jesus must make the Father's problem his problem; he must achieve redemption through his suffering and death. Thus Jesus is bidden to let go, to relinquish the old securities, to accept the paradox of Calvary. Reorientation is the embrace of the Father at Easter. The resurrection is the clearest sign that Jesus is on a new level of being. [p. 133]
According to Craghan, whom is it that Jesus is redeeming? Himself? As a reward for letting go of his old securities, Jesus gets a new level of being? Does Craghan consider Jesus to be Divine, i.e. the Second Person of the Blessed Trinity? He writes quite strangely if he does believe. If Craghan had couched this in terms of Jesus providing us an example to follow, it would be easier to accept. We do need to accept the paradox of our own crosses and can be raised to a new level of being by grace. But Jesus is more than a man.

The book is riddled with small and large errors that do not make it worth reading for spiritual reading or for scholarly edification. It is a shame, because such a project would be quite valuable and rewarding if done right.

Friday, March 2, 2012

Happy Birthday, Dr. Seuss!

Today, March 2, is the birthday of Dr. Seuss. He was born in 1904, so he'd be 108 years old if he were still around (he died in 1991 and this post is in 2012). To celebrate, the library had a major Dr. Seuss fest for their usual story time.

They read several classics, including The Lorax and Yertle the Turtle. Lucy was pretty naughty during the reading so I had to take her out. Jacob really loved it though. While reading The Cat in the Hat, one librarian handed out finger puppets. Jacob's puppet was the fish in the pot. He liked it a lot. Lucy was out of the room, so she received not.

After story time was done, the kids, some of the adults, and the two librarians sat in a circle to play a game. One librarian explained we'd play "Hat, Hat, Cat" which you might guess is a re-theming of the classic game Duck, Duck, Goose. The other librarian started the game. She went around our circle and tagged one child as "cat." They ran around and the librarian managed to sit down first. That child tagged Lucy, who had a little trouble going around the circle. Lucy tagged me as "cat" and started running away from me. I did my best not to catch her. As we came around, everyone was urging Lucy to sit down but she kept going. On our second lap, we were able to convince Lucy to sit down in my former spot. Jacob piped up that he wanted to play too. I let him tag in for me. He is a seasoned pro at "Duck, Duck, Goose" and performed admirably. The game went on for a few more rounds of fun and frivolity.

After the game, the children sat at the craft table and colored in a picture of the Cat in the Hat on his amazing room cleaning machine. We also received stickers and hats to wear. Lucy did not want to wear her hat. She apparently didn't want a bad hair day. So I wore her hat. The new cell phone needs its lens cleaned, because this picture is the best we took:

Jacob in the Hat, with matching shirt!

At home, I did snap a better shot of all the swag from the library, but alas the children were asleep and I didn't want to wait till after nap time to post. Maybe later we'll see a better shot of Jacob in the hat. I don't hold out much hope for Lucy.

Hats, bookmark, stickers, coloring page

Since it is a Friday in Lent, we can't have green eggs and ham for dinner. They did serve that today at Jacob's preschool as a special breakfast. Jacob only drank the green juice, he did not eat green eggs or ham. He does not like them, Reader-You-Are.

Happy birthday, Dr. Seuss!

UPDATE:

School just sent this photo of Jacob not eating green eggs and ham!

Why not, Jacob? Looks appetizing to me!


Thursday, March 1, 2012

Movie Trailer: Zombie Apocalypse (2011)

Zombie Apocalypse (2011) directed by Nick Lyon

This movie has the standard premise: a group of strangers (ethnically diverse strangers, but make sure to include a blond Caucasian woman) join together to travel in safety (if they can trust each other) during a world-wide zombie outbreak.

This movie has already come out (for Halloween 2011, released on the Syfy channel), but the trailer made me think of one comment in particular. Watch it first and then see if you notice the same thing that I noticed.



Okay, so is it just me, or does the zombie apocalypse include some sort of "bad hair day" virus for those not turned into zombies? Seriously, the only living character in the trailer with a decent-looking hairstyle is Ving Rhames, i.e. the bald guy! What gives?

I have no plans to watch this movie, so don't look forward to a review here. Maybe you are looking forward to the fact that I won't be reviewing it!