Showing posts with label Rian Johnson. Show all posts
Showing posts with label Rian Johnson. Show all posts

Friday, January 20, 2023

Movie Review: Glass Onion (2022)

Glass Onion (2022) written and directed by Rian Johnson

Southern detective Benoit Blanc (Daniel Craig) is invited to a weekend murder mystery at Miles Bron's (Edward Norton) private Greek island. Bron is fabulously wealthy from a highly successful app. He usually invites four friends once a year for a fun week off. But Bron did not send Blanc an invitation. Another uninvited guest is Andi Brand (Janelle Monae), Miles's former business partner who was cheated by Miles out of her half of the fortune when she left the company. The invited friends know her from their days when they all met at a bar called the Glass Onion. They were all up-and-comers back then. Birdie Jay (Kate Hudson) wanted to be a fashion designer and influencer, which she has. Lionel Toussaint (Leslie Odom, Jr.) wanted to be an inventor and has become a key player at the app company, which has expanded out into other tech fields like bio-fuels. Duke Cody (Dave Bautista) is a body builder who wanted to be an internet influencer who has achieved a bit of online success. Claire Debella (Kathryn Hahn) is a soccer-mom type who has made it big in politics--she's currently running for senator. They are all being supported in one way or another by Miles in their endeavors...all but Andi. Now on the island, Miles introduces them to his home, an ornate building he calls "The Glass Onion," even having a large glass dome. It's a treasure trove of art and tech, with every luxury imaginable.

Not everything is so rosy on this trip. Miles's friends all want something from him and are nervous about Andi being there. Miles seems like he is going to withdraw his help or be problematic for each of them, making him a target for actual murder. The planned mystery is foiled at the opening dinner when Blanc reveals the means, motive, and opportunity of the fake killer before Miles is even fake-killed. Blanc then has a private meeting with Miles, warning him that he might actually be killed by any of his guests. The idea is brushed off until someone actually dies, beginning a much more difficult case for Benoit Blanc to unravel.

The movie is a mixed bag. The production values are gorgeous. The Greek island and the exotic, sprawling mansion are fun and eye-catching. The actors do a good job in their various roles and have a good time. Many plot moments are predictable and the mystery relies a little too much on unrevealed information. The middle of the movie has an extended flashback that explains what's really going on, but the sequence is awkwardly handled. At first, it seems like Blanc is explaining things to the other characters in the movie, but really it's a flashback only intended for the audience. The intent becomes obvious halfway through. The movie also bends over backwards to call the villain stupid while that person is actually moderately intelligent. And Johnson goes back to the "minority woman oppressed by rich white people" theme from the first Knives Out movie which is a minor part but handled ham-fistedly. The meticulous crafting of the mystery, which I did enjoy, is undercut by how it is delivered in the film. The more I think about what I saw, the less I find to like in it, which is not something you want in your murder mystery. The movie is entertaining and has some fun comic moments. A lot of stuff is way over the top (like the fact that Miles has acquired the Mona Lisa from the Louvre since they are in financial straits due to the pandemic), something that I like and fits with the exaggerated characters. It made up for the stuff I didn't like.

Slightly recommended.

Friday, December 27, 2019

Movie Review: Knives Out (2019)

Knives Out (2019) written and directed by Rian Johnson


Harlan Thrombey (Christopher Plummer) is the patriarch of a good-sized family. He's also a popular mystery author who publishes two books a year, generating the wealth that supports his offspring. Thrombey is found dead the day after his 85th birthday. At first glance, the situation looks like suicide. But all of his descendants have reasons to kill him, mostly because he is cutting each and every one of them off from the family fortune in one way or another. The only one who feels guilty is his nurse/helper, Marta (Ana de Armas) even though she left the house before Harlan died. She has one big disability for a murder suspect--she throws up whenever she tells a lie.

If that isn't mysterious enough, famous detective Benoit Blanc (Daniel Craig) has been hired by an anonymous person to investigate the suicide. He cooperates with the police, though his laid back style makes the family members (and even viewers) wonder how interested he really is. Blanc asks a lot of penetrating questions and recruits Marta, who seems to have an air-tight alibi, as his assistant. The investigation proceeds in a clever and fun way.

The movie clearly borrows and owes a lot to Agatha Christie. Blanc has a name like Hercule Poirot though he has an accent like TV's Matlock (Andy Griffith, who does not appear in this movie). The murder of a family patriarch happens more than once in Christie's work and the old family manor house is a classic location, even beyond Christie. The investigation proceeds in a methodical and fun manner. Some clues are misinterpreted to both comic and dramatic effect. The movie also has a certain old-fashioned moral sensibility that is refreshing to see. As a homage to Christie's mysteries, this movie delivers the goods. Which means, of course, that it's a good mystery.

Highly recommended.


Thursday, January 11, 2018

Movie Review: Star Wars: The Last Jedi (2017)

Star Wars: The Last Jedi (2017) written and directed by Rian Johnson


The Skywalker saga continues as The Resistance, led by General Leia Organa (Carrie Fisher), flees from the First Order, who are trying to deal the death blow. The Resistance barely escapes one planet only to discover that the First Order has some way to track their jumps, forcing them to run away at normal speeds. While the leadership plots what to do next before their fuel runs out (which is extremely imminent), a handful of rebels sneak off to try a desperate move to end the predicament.

Meanwhile, Rey (Daisy Ridley) is in for some rude awakenings as she seeks Jedi training from old man Luke Skywalker (Mark Hamill). Not only does she find out what drove Luke into hiding, she also discovers a telepathic link with Kylo Ren (Adam Driver), who tries to manipulate her into going to the Dark Side. Luke doesn't see their link but does see the great power of the Force in Rey. He thinks she isn't ready to handle a challenge from the Dark Side. Will she be corrupted as so many others have?

I went into this movie really wanting to love it. The opening space battle where The Resistance escapes is great fun and exciting, promising greatness to come. But then that story shifts into a slow and boring chase with a lot of petty squabbling among The Resistance and a completely unnecessary side quest where Benicio Del Toro shows up as a random side character. While this was going on I was sitting in the theater thinking up better ways for either The Resistance to escape or the First Order to pin down and finish off the rebels. There have been dumb moments in previous Star Wars films, but this is the first time I was ever bored by a Star Wars film.

On the other hand, the Luke/Rey/Kylo Ren storyline was a lot more interesting. I know a lot of people have complained about the shift in Luke's character, but I didn't mind since they provided a reasonable (if not fully satisfactory) explanation for his attitude. The telepathic link was a bit too contrived but it did generate more drama. The filmmakers tried to inject some comedy which fell mostly flat (Chewbacca's snack was cute and funny until they dragged it out too long; Rey's slapstick bits also didn't work). But dramatically, I liked it.

The two story lines come together at the end of the film with mixed results. Some moments were cool, some were dumb. The ending is hardly as hopeful as the characters (and filmmakers) make it out to be. I hope they will right the ship in the next episode but they have to do a lot of credulity straining to pull it off.

Recommended for Star Wars completists, but be warned--this movie is much closer to the prequels than the originals on the Star Wars spectrum.

Bonus! My Star Wars movie rankings, from best to worst (four and five on my list are so incredibly close that they change positions sometimes; six and seven might switch on further consideration):
  1. The Empire Strikes Back
  2. A New Hope 
  3. Rogue One
  4. The Force Awakens
  5. Return of the Jedi
  6. The Last Jedi
  7. Revenge of the Sith
  8. Attack of the Clones
  9. The Phantom Menace