Movie Review: The Lost World (1925)

The Lost World (1925) directed by Harry O. Hoyt from the novel by Sir Arthur Conan Doyle

Professor Challenger (Wallace Beery) has returned to London with tales of a South American plateau where dinosaurs have survived and are still roaming around. He has no proof (his canoe tipped over dumping all his documents and samples) so the academic and scientific communities mock him. He does not take well--he's a brilliant scientist but also has (and this is a quote in the movie) "the temperament of a gorilla." He especially hates the press, which makes things awkward for Ed Malone (Lloyd Hughes), a low-level reporter who wants to impress his girlfriend by doing something brave and death defying. Getting an interview with Challenger would be frightening enough, but Ed goes the extra step and volunteers to go on a trip to South America. One of Challenger's comrades was trapped on the plateau and the friend's daughter Paula (Bessie Love) wants to go back immediately to rescue her dad. Ed is friends with Sir John Roxton (Lewis Stone), a famous hunter who is also friends with Challenger. They convince Challenger to take on Ed and they convince Ed's newspaper to finance the voyage, which at least will have the human interest story of rescuing Paula's father, even if there aren't any dinosaurs. The movie then gets to that South American plateau which is full of dinosaurs.

This classic silent film was the first adaptation of Doyle's novel of the same name. It is mostly faithful to the book, with an extra love interest added in the shape of Paula. She has a few too many "shocked and fearful" reactions as they confront various creatures but she also has more character too. The effects are by the same specialist that would go on to make King Kong, so they are top-notch for a hundred years ago. The story is fun though in the following century plenty of other films have copied the same story beats, so the plot is very familiar. There is a mildly annoying blackface character but his role is quite small. There's also a lovable comic-relief monkey named Jocko (played by Jocko, go figure), another recurring cliche that probably originated in this film. 

Recommended--this is a classic from the silent era and is the source for a lot of big-monster cinema that has come after it.

I watched this on Kanopy, which has two different versions with two different soundtracks. I watched the Flicker Alley edition, which has the restoration from 2016 (1 hour, 44 minutes) with a fairly standard orchestral soundtrack.